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February
6, 2006
The New York Times
“[Osvaldo] Golijov's hard-edged, brash
version of Severiano Briseño's ‘Sinaloense,’ in
a tightly wound reading by the Kronos, opened the concert with
a burst of energy…” |
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"Boisterously breaking down nearly
every conceivable genre barrier that ever existed for the string
quartet, this audacious ensemble—which is now celebrating
its 30th anniversary—has changed our perception of not
just what a string quartet can be, but what music can be in
the 21st-century global village."
—Musical America |

"…it would be virtually impossible
to cite a quartet that has exerted such a pervasive influence
on both the composers and the audiences of its time. In so
doing, the Kronos has renewed and redefined the string quartet
form and the chamber music experience."
—San Francisco Examiner |

"String quartets were a dying breed.
Along came Kronos… the world's most successful chamber
group. Kronos' perfectionism, determination and high profile
have revived a dying genre."
—Newsweek |

"No one has done more for either the
cause of new music or the revitalization of the chamber format
than Kronos. In fact, no has done more to transform the idea
of what an "classical" ensemble can be than Kronos,
in either context or content, intent or impact."
—Billboard |

"What can you say when a string quartet
starts its program with hobo songs and ends with encores of
Indian film music and surf rock? 'Thank you' would be nice
for starters."
—Washington Post |

"As a tightly knit, single-minded
ensemble, Kronos continues to expand the boundaries not only
of its repertoire but of its technical mastery as well. The
level of musicianship on display was stellar."
—San Francisco Chronicle |

"The intrepid Kronos Quartet has exemplified
musical wanderlust and collaboration at its most extreme, absorbing
hundreds of composers and traveling the world nonstop, picking
up and devouring music from every nook and cranny."
—Los Angeles Times |

"The Kronos players bring an intensity
of expression that jolts the listener into high-level awareness.
It's the equivalent of poking one's finger into a live electrical
socket. Their adventurousness, their willingness to go the
extra thousand kilmetres in search of sonic adventure, is as
seemingly limitless as it ever was."
—The Western Australian |

"Kronos played with an almost defiant
energy and brilliance."
—New York Times |

"In a show that merged past, present
and future, the Kronos Quartet again proved why it is the pre-eminent
contemporary music group in the world."
—Tucson Citizen |
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