Los Angeles Times By Mark Swed |
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Reich’s amplification is in your face. His rhythmic complexity, the shifting beats and complex contrapuntal interlacing, creates tension. He makes you think and at the same time doesn’t give you the space in which to think. 
Winnipeg Free Press By Holly Harris |
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New York TimesReview of Black Angels By Steve Smith |
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Washington Post
Review of
By Tom Huizenga |
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The Los Angeles TimesReview of Awakening
By Mark Swed |
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The New York Times
By Allan Kozinn |
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