2023 David Lieberman Artist’s Representatives. All Rights Reserved.
Post-pandemic, we realized that many artists turned their creative energies into harnessing the possibilities that the digital platform could provide for them, at first as a viable alternative to a live performance venue, and now, as a more integrated component of their live performance repertoire. To be clear, these are not intended to showcase a performance offering for consideration by a concert venue. Lunchbox videos are intended to allow the viewer another layer of experiencing an artist’s expression, increasing their understanding of that artist’s vision. Lunchbox videos, acknowledge the tremendous amount of quality work now within many artists portfolios and provides the viewer with the opportunity to powerful creative vision, expressed in this medium. The archive provided here documents Lunchbox videos previously released. To receive upcoming releases in the continuing series, sign up for Lunchbox videos here.
Vocalist/composer Mahsa Vahdat, with Kronos Quartet, gives testimony to her love of her motherland, all while isolated during the pandemic lockdown. Laurie Olinder’s slowly undulating floral visuals capture the melancholy of the singer’s isolation in a beautiful way.
Jacob Rajan – the man behind the mask – recounts how his multi-decade partnership with Justin Lewis came to be. Though you may never have seen the play “Krishnan’s Dairy,” this video provides an opportunity to get a sense of the history of an artist’s development. We are better for it now, some twenty-five-plus years later…
The coronavirus pandemic brought to us the worst of human emotional states – isolation, sadness, frustration, and rage. In Lyric Suite, Donald Byrd recruits two of his dancers to articulate the extremes of our responses – anger and finally, resolution.
The collaborative inclinations of yMusic in Andrew Norman’s “Music in Circles” are beautifully manifest in this jaw-dropping synthesis of music, choreography, and video design. The sum is greater than the parts as the staccato energy of Norman’s score, authoritatively rendered here by yMusic, becomes even more compelling when juxtaposed with the stop-motion beauty of dancer Sarah Singer’s prismatic movement images.
Composed by former Kronos cellist, Joan Jeanrenaud, Knock was commissioned for Kronos’ Fifty for the Future: The Kronos Learning Repertoire. Here, Joan’s score is illuminated by Kronos’ fluid performance, as well as Sebastian Kloborg’s choreography, realized by Maria Kochetkova in a supernatural landscape conjured by Director/Cinematographer Marcel Zyskind.
Combining performance, video, and a matter-of-fact narrative, No More speaks to the national crisis of unchecked gun violence in the United States.
The collaborative inclinations of yMusic in Andrew Norman’s “Music in Circles” are beautifully manifest in this jaw-dropping synthesis of music, choreography, and video design. The sum is greater than the parts as the staccato energy of Norman’s score, authoritatively rendered here by yMusic, becomes even more compelling when juxtaposed with the stop-motion beauty of dancer Sarah Singer’s prismatic movement images.
Composed by former Kronos cellist, Joan Jeanrenaud, Knock was commissioned for Kronos’ Fifty for the Future: The Kronos Learning Repertoire. Here, Joan’s score is illuminated by Kronos’ fluid performance, as well as Sebastian Kloborg’s choreography, realized by Maria Kochetkova in a supernatural landscape conjured by Director/Cinematographer Marcel Zyskind.
Compelling historic footage of the brave souls who endured abuse as they marched for freedom in the American South not so many years ago provides a vivid tableau for Zachary Watkins’ Peace Be Till. This work is performed by Kronos, alongside the narration of Dr. Martin Luther King’s “Letter from a Birmingham Jail” provided by Dr. Clarence B. Jones, former counsel, speechwriter, and advisor to Dr. King. It seems especially appropriate during this season to revisit Dr. King’s powerful words and consider again the importance of urgency as we pursue freedom for all.
We have never toured the Indian Ink production of the Pickle King, but we love this brief conversation by the actors in the show on the elements that mask can unlock in a production.
Composer/soloist Roman GianArthur is joined by Tonality in this moving call to action in support of our common humanity.
Apropos of the season, Jacob Rajan and Justin Lewis give a two-minute seminar on Onam, the Indian holiday that is at the narrative core of “Mrs. Krishnan’s Party.” Immersiveness. Joy. No expectations…
In this beautifully wrought production of “The President Sang Amazing Grace,” Jacob Garchik’s stunning arrangement for Meklit and Kronos allows Zoe Mulford’s song to become a powerful testament of empathy as the cornerstone of leadership. Produced by Stanford Live and Kronos Performing Arts Association.
Derrick Skye’s call to unleash the power of the mind, body, soul, and voice is well-answered by the Los Angeles Master Chorale in this video production by Emily Bloom that also features the choreography of Yeko Ladzekpo-Cole, and conducting by Grant Gershon and Jenny Wong.
Tonality presents Joel Thompson’s, “America Will Be” – all at once an honoring of the rich tradition of immigration and a prayer for the dreams of this generation’s newly-arrived.
In 5 minutes, the distinguished artistic directors and founders of Bang on a Can – Julia Wolfe, Michael Gordon, and David Lang – give a master class on how to build a compelling music festival.
Donald Byrd’s brief autobiographical film explores one of his early career relationships and his desire to resolve emotional issues that linger and hinder closure in a highly charged dynamic. With the benefit of time, Byrd accepts the bittersweet character of the relationship. The film was commissioned in 2020 by Works and Process at the Guggenheim.
Reena Esmail, the Los Angeles Master Chorale’s Swan Artist in Residence, contributes TaReKiTa to this dynamic video mosaic populated by the singers of the Los Angeles Master Chorale and dancer-choreographer Shalini Haupt. Video by Gabriel Zuniga.
To hear David Harrington tell it, George Crumb’s wailing protest against the nightmare of the Vietnam War was what motivated him to found the Kronos Quartet. Here we present an elegantly produced vision from the third movement of Black Angels, the other-worldly God-Music.
Tonality’s production design of this video inspired us to begin the Lunch Box video series. The breezy, jazzy performance of the song, belies the very serious substance of the lyric, a push-back on those who would compromise a fundamental cornerstone of democracy.
2023 David Lieberman Artist’s Representatives. All Rights Reserved.
